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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

 

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RAFFAELLO Sanzio Holy Family below the Oak oil painting

Painting ID::  51237

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RAFFAELLO Sanzio
Holy Family below the Oak
1518 Oil on wood, 144 x 110 cm
   
   
     

 

 

RAFFAELLO Sanzio Portrait of Jeanne d-Aragon oil painting

Painting ID::  51238

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RAFFAELLO Sanzio
Portrait of Jeanne d-Aragon
1518 Oil on wood
   
   
     

 

 

RAFFAELLO Sanzio The Sibyls oil painting

Painting ID::  51239

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RAFFAELLO Sanzio
The Sibyls
c. 1514 Fresco, width at base 615 cm
   
   
     

 

 

RAFFAELLO Sanzio The Loggia of Psyche oil painting

Painting ID::  51240

X 
 

RAFFAELLO Sanzio
The Loggia of Psyche
1517 Fresco Villa Farnesina
   
   
     

 

 

RAFFAELLO Sanzio Christ Falls on the Way to Calvary oil painting

Painting ID::  51241

X 
 

RAFFAELLO Sanzio
Christ Falls on the Way to Calvary
1517 Oil on panel
   
   
     

 

 

RAFFAELLO Sanzio View of the Stanza di Eliodoro oil painting

Painting ID::  51242

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RAFFAELLO Sanzio
View of the Stanza di Eliodoro
c. 1512
   
   
     

 

 

RAFFAELLO Sanzio The Expulsion of Heliodorus from the Temple oil painting

Painting ID::  51243

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RAFFAELLO Sanzio
The Expulsion of Heliodorus from the Temple
1511-12 Fresco, width at the base 750 cm
   
   
     

 

 

RAFFAELLO Sanzio The Separation of Land and Water oil painting

Painting ID::  51244

X 
 

RAFFAELLO Sanzio
The Separation of Land and Water
1518-19 Fresco Loggia on the second floor
   
   
     

 

 

RAFFAELLO Sanzio The Creation of the Animals oil painting

Painting ID::  51245

X 
 

RAFFAELLO Sanzio
The Creation of the Animals
1518-19 Fresco Loggia on the second floor
   
   
     

 

 

RAFFAELLO Sanzio The Mass at Bolsena oil painting

Painting ID::  51246

X 
 

RAFFAELLO Sanzio
The Mass at Bolsena
1512 Fresco width at the base 660 cm
   
   
     

 

 

RAFFAELLO Sanzio The Coronation of Charlemagne oil painting

Painting ID::  51247

X 
 

RAFFAELLO Sanzio
The Coronation of Charlemagne
1516-17 Fresco
   
   
     

 

 

RAFFAELLO Sanzio The Judgment of Solomon oil painting

Painting ID::  51248

X 
 

RAFFAELLO Sanzio
The Judgment of Solomon
1518-19 Fresco Loggia on the second floor
   
   
     

 

 

RAFFAELLO Sanzio Vision of the Cross oil painting

Painting ID::  51249

X 
 

RAFFAELLO Sanzio
Vision of the Cross
1520-24 Fresco Stanza di Constantino
   
   
     

 

 

RAFFAELLO Sanzio Isaac and Rebecca Spied upon by Abimelech oil painting

Painting ID::  51250

X 
 

RAFFAELLO Sanzio
Isaac and Rebecca Spied upon by Abimelech
1518-19 Fresco Loggia on the second floor
   
   
     

 

 

RAFFAELLO Sanzio The Meeting between Leo the Great and Attila oil painting

Painting ID::  51251

X 
 

RAFFAELLO Sanzio
The Meeting between Leo the Great and Attila
1514 Fresco
   
   
     

 

 

RAFFAELLO Sanzio The Cardinal Virtues oil painting

Painting ID::  51252

X 
 

RAFFAELLO Sanzio
The Cardinal Virtues
1511 Fresco, width at the base 660 cm
   
   
     

 

 

RAFFAELLO Sanzio Justinian Presenting the Pandects to Trebonianus oil painting

Painting ID::  51254

X 
 

RAFFAELLO Sanzio
Justinian Presenting the Pandects to Trebonianus
1511 Fresco, width at the base 110 cm
   
   
     

 

 

RAFFAELLO Sanzio The Loggetta of Cardinal Bibbiena oil painting

Painting ID::  51255

X 
 

RAFFAELLO Sanzio
The Loggetta of Cardinal Bibbiena
1516-17 Fresco Palazzi Pontifici
   
   
     

 

 

RAFFAELLO Sanzio Decoration of the Loggetta oil painting

Painting ID::  51256

X 
 

RAFFAELLO Sanzio
Decoration of the Loggetta
1516-17 Fresco Palazzi Pontifici
   
   
     

 

 

RAFFAELLO Sanzio The Parnassus oil painting

Painting ID::  51257

X 
 

RAFFAELLO Sanzio
The Parnassus
1509-10 Fresco, width at base 670 cm
   
   
     

 

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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,